

Kindness Isn't Wrong

£1000
Media
Oils on Canvas
Description
Canvas
610 x 610 x 40 mm
Framed
640 x 640 x 45 mm
A bold and dynamic composition, Kindness Isn't Wrong explores the tension between structure and chaos, resilience and fragility. A fractured circular form sits at the heart of the piece, surrounded by shifting, atmospheric textures and striking contrasts of warm and cool tones. Below, a dark green platform extends into the space, offering a sense of direction or grounding within the turbulence. The expressive brushwork and layered depth invite multiple interpretations,.
Additional Thoughts...
Kindness Isn’t Wrong is part of my ongoing exploration of human behaviour, consequence, and the forces that shape our world. The work brings together contrasts in energy, colour, and texture, reflecting both the tension and the potential for change. At its core, this piece considers the fragility of kindness and the struggle to uphold it in a world where disruption, power, and self-interest often take precedence.
Throughout the composition, certain abstracted forms emerged, carrying meaning during the painting process. The broken circle, an ancient symbol often associated with disruption, unrest, or imbalance, sits as a fractured presence—whether breaking apart or being broken further is left for the viewer to decide. To the right of the painting, a figure appears to dive into an abyss, leaving open the question of whether this is a plunge into challenge or a surrender to fate. Nearby, a subtle, rounded form alludes to a Buddha-like presence, an echo of inner reflection or a contrasting sense of stillness.
To the left of the broken circle, two humanoid figures seem to be actively breaking it apart, introducing an element of chaos, interference, or destruction. Above, a triangular, jet-like shape hints at movement and power. For me, this represents a stark reality—the unchecked actions of the world’s most powerful individuals, where the environmental footprint of the ultra-wealthy vastly outweighs that of entire populations.
Grounding the composition, a rectangular plinth or bridge cuts through the painting. As a symbol, rectangles are often associated with stability, structure, and reliability. Here, it becomes a guiding force, leading the way towards something more enduring—a call for change, an anchor of kindness, or simply a pathway forward. Within the fractured circle, a flash of orange emerges, an abstracted reference to the phoenix, burning yet carrying the possibility of rebirth.
While these elements were present in my mind during the creation of the piece, I always hope that viewers discover their own meaning, drawing their own connections to the work. For me, art is a tool of challenge and encouragement—an invitation to reflect on humanity’s impact, our responsibilities, and the choices we make.